The Frye Art Museum continues to strategically build its collection through purchases and gifts, both deepening existing areas of strength and diversifying holdings to reflect the Museum’s expansive curatorial program and Seattle’s globalized present. Acquisitions of the last five years demonstrate the Museum’s commitment to growing and contextualizing its distinctive historical collections of late nineteenth- and twentieth-century European and American art while broadening its holdings of contemporary works to embrace previously underrepresented identities, perspectives, and forms of expression. To some extent, acquisitions mirror the Museum’s exhibition history, creating a material record of the institution’s engagement with local, national, and international artists and commemorating the special audience connection formed through temporary presentations. Contemporary artworks chosen for the collection often respond to or complicate the narratives around mediums and genres traditionally associated with the Frye, like painting, landscape, and portraiture.
Click on a column heading to sort the list.
Title | Artist | Medium | Date |
After Boucher: Untitled | Vaughan, Molly Jae | Oil pencil on paper | 2022 |
Allegory of the Raging Sun | Lyons, Kat | Oil on canvas | 2021 |
Baby | Ball, Natalie | Cotton cloth, twine, clay, leather, metal jingles, deer legs, and shoes | 2018 |
Baby Blue | Boafo, Amoako | Oil on canvas | 2021 |
Becoming Mineral | Tossin, Clarissa | Porcelain | 2021 |
Black Face Red Bone with Black Bob | Self, Tschabalala | Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print | 2021 |
Black Face with Wide Chest | Self, Tschabalala | Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print | 2021 |
Breathless #6 | Jones, Jennie C. | Audio tape from the 1992 Kenny-G recording “Breathless”, under plexiglass | 2008 |
Butterfly | Ramirez, Bony | Acrylic, soft oil pastel, color pencil, wallpaper, metal chain, dried coconuts | 2021 |
Covid March (after unemployment, the park, then home) | Cerny, Dawn | Wood, drawings, textiles, clipboard, Apoxie Sculpt, polymer clay, paint, found ephemera from studio of Nancy Shaver | 2021 |
Disaster Kitchen | Zuckerman-Hartung, Molly | Oil, collage, plastic garbage bag, camouflage pants | 2008-2011 |
Dress for Success | Nestler, Rose | Leather, thread, batting, grommets, hooks | 2018 |
Ear (Good) | Chowdhury, Srijon | Oil on linen | 2022 |
Egungun | Smith, Cauleen | Archival pigment print | 2015 |
Feast | Webb, Dan | Carved fir | 2006 |
For Fun | Johnson-Ricks, Khari | Watercolor on paper with acetate | 2021 |
Formation | Akashi, Kelly | Chromogenic crystallograph in aluminum artist's frame | 2021 |
Free me from this body, my voice can carry only so far. Free me from this body, as I lay on the grass it feels heavy and I can't move. Free me from this body, the color burns brown with dark limbs so tired and missing the weightless breadth of above | Hopinka, Sky | Inkjet print on Dibond | 2020 |
From Sea to Dawn | Haerizadeh, Ramin, Rokni Haerizadeh, Hesam Rahmanian | Digital video (color, silent); 6:21 min. | 2016 |
Frye | Tracy and the Plastics | Performance and video, sound, color | 2006/2014 |
Fu Dogs | Mitchell, Jeffry | Earthenware with luster glaze | 2005 |
Gingko biloba | Bennett, Gretchen Frances | Color pencil on paper | 2023 |
Ground of Ground | Harvey IV, Harry Gould | Black walnut from the Delano Sawmill, white oak from Prudence Island, MDF, colored pencil, charcoal, gouache, and pigments of goldenrod, Aronia Viking chokecherry, and rose petals | 2022 |
If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour | Haerizadeh, Rokni | Gesso, watercolor and ink on printed paper | 2017-18 |
Lot 248 (still) | Siegel, Amie | Cibachrome print | 2013 |
Your current search criteria is: Portfolio is "Recent Acquisitions".
View current selection of records as: