The Frye Art Museum continues to strategically build its collection through purchases and gifts, both deepening existing areas of strength and diversifying holdings to reflect the Museum’s expansive curatorial program and Seattle’s globalized present. Acquisitions of the last five years demonstrate the Museum’s commitment to growing and contextualizing its distinctive historical collections of late nineteenth- and twentieth-century European and American art while broadening its holdings of contemporary works to embrace previously underrepresented identities, perspectives, and forms of expression. To some extent, acquisitions mirror the Museum’s exhibition history, creating a material record of the institution’s engagement with local, national, and international artists and commemorating the special audience connection formed through temporary presentations. Contemporary artworks chosen for the collection often respond to or complicate the narratives around mediums and genres traditionally associated with the Frye, like painting, landscape, and portraiture.
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Title | Artist | Medium | Date |
To a Flame | White, Anthony | PLA (plastic) on panel | 2019 |
this trembling turf (the shallows) | Peters, Mary Ann | White ink | 2018 |
Snowflake Drawing #5 (Double Lotus Pod) | Mitchell, Jeffry | Graphite, ink, carbon transfer, and watercolor on paper | 2018 |
From Sea to Dawn | Haerizadeh, Ramin, Rokni Haerizadeh, Hesam Rahmanian | Digital video (color, silent); 6:21 min. | 2016 |
If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour | Haerizadeh, Rokni | Gesso, watercolor and ink on printed paper | 2017-18 |
Portrait of a woman | Hickmann, Fritz | Oil on canvas mounted to board | 1855 |
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