The Frye Art Museum continues to strategically build its collection through purchases and gifts, both deepening existing areas of strength and diversifying holdings to reflect the Museum’s expansive curatorial program and Seattle’s globalized present. Acquisitions of the last five years demonstrate the Museum’s commitment to growing and contextualizing its distinctive historical collections of late nineteenth- and twentieth-century European and American art while broadening its holdings of contemporary works to embrace previously underrepresented identities, perspectives, and forms of expression. To some extent, acquisitions mirror the Museum’s exhibition history, creating a material record of the institution’s engagement with local, national, and international artists and commemorating the special audience connection formed through temporary presentations. Contemporary artworks chosen for the collection often respond to or complicate the narratives around mediums and genres traditionally associated with the Frye, like painting, landscape, and portraiture.
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Title | Artist | Medium | Date |
Black Face Red Bone with Black Bob | Self, Tschabalala | Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print | 2021 |
Ear (Good) | Chowdhury, Srijon | Oil on linen | 2022 |
Three Slices | Boafo, Amoako | Oil on canvas | 2021 |
Baby Blue | Boafo, Amoako | Oil on canvas | 2021 |
Ground of Ground | Harvey IV, Harry Gould | Black walnut from the Delano Sawmill, white oak from Prudence Island, MDF, colored pencil, charcoal, gouache, and pigments of goldenrod, Aronia Viking chokecherry, and rose petals | 2022 |
Disaster Kitchen | Zuckerman-Hartung, Molly | Oil, collage, plastic garbage bag, camouflage pants | 2008-2011 |
For Fun | Johnson-Ricks, Khari | Watercolor on paper with acetate | 2021 |
Pink on Black Group | Bradford, Katherine | Acrylic on canvas | 2022 |
Night Forest | Shapiro, Ann Leda | Watercolor and watercolor pencil on archival paper | 2022 |
After Boucher: Untitled | Vaughan, Molly Jae | Oil pencil on paper | 2022 |
Mangahufo' I famaguon | McDaniel, Gisela | Oil on panel, found objects, sound | 2021 |
Allegory of the Raging Sun | Lyons, Kat | Oil on canvas | 2021 |
Madrone + Mullan | Wechsler, Sadie | Archival inkjet print in madrone artist's frame | 2021 |
Free me from this body, my voice can carry only so far. Free me from this body, as I lay on the grass it feels heavy and I can't move. Free me from this body, the color burns brown with dark limbs so tired and missing the weightless breadth of above | Hopinka, Sky | Inkjet print on Dibond | 2020 |
Formation | Akashi, Kelly | Chromogenic crystallograph in aluminum artist's frame | 2021 |
Butterfly | Ramirez, Bony | Acrylic, soft oil pastel, color pencil, wallpaper, metal chain, dried coconuts | 2021 |
Portrait of Erwin Wurm | Park, Joseph | Oil on panel | 2007 |
Trap | Linklater, Duane | Powder-coated trap, mirror, gypsum board, plywood, steel wall studs | 2016 |
Lot 248 (still) | Siegel, Amie | Cibachrome print | 2013 |
Strange Business | Nestler, Rose | Two-channel digital video (color, silent): 20 min. | 2017-18 |
Dress for Success | Nestler, Rose | Leather, thread, batting, grommets, hooks | 2018 |
Egungun | Smith, Cauleen | Archival pigment print | 2015 |
Untitled #041220 | Reskala, Georgina | Gelatin silver print | 2017 |
Untitled (Badlands) | Aranda, Juventino | Oil on wool Pendleton blanket | 2018 |
Untitled | Yamahira, Ko Kirk | Acrylic and graphite on partially unwoven canvas with wood | 2019 |
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