{ "objects" : [ { "embark_ID" : 4608, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4608", "Disp_Access_No" : "2019.005", "_AccNumSort1" : "", "Disp_Create_DT" : "2018", "_Disp_Start_Dat" : "2018", "_Disp_End_Date" : "2018", "Disp_Title" : "this trembling turf (the shallows)", "Alt_Title" : "", "Obj_Title" : "<i>this trembling turf (the shallows)</i>", "Series_Title" : "", "Disp_Maker_1" : "Mary Ann Peters", "Sort_Artist" : "Peters, Mary Ann", "Disp_Dimen" : "60 x 48 in. (152.4 x 121.92 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "object", "Medium" : "White ink", "Support" : "clayboard", "Disp_Medium" : "White ink on clayboard", "Info_Page_Comm" : "<i>this trembling turf (the shallows)</i> is part of a series in which Seattle-based artist Mary Ann Peters explores ways of marking the overlooked or hidden evidence of subjugated peoples. Using white ink on black clayboard, the artist created an intricately textured surface composed of spikes and “blips,” as she has called them. The rhythmic pattern references the sound waves used by archaeologists to uncover buried traces of ancient civilizations. Peters started her <i>this trembling turf</i> series in 2017 following an artist residency in Beirut, where she learned that the lush fairways of a local golf club are thought to overlay a mass grave: in 1982, a militia linked to the right-wing Maronite Christian Phalange party killed hundreds, if not thousands, of Palestinian refugees and Lebanese civilians in two refugee camps in West Beirut. Though created with these specific places and events in mind, Peters’s work is abstracted, opening broader questions she has posed when discussing the series, such as, “Is there a country on the planet that doesn't have the same kind of tormented past?” ", "Dedication" : "Purchased with funds provided by Seattle Art Fair, 2019.005", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "Contemporary", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.005_Low-Res.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.005_Low-Res.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.005_Low-Res.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.005_Low-Res.jpg", "IsPrimary" : "1", "_SurrogateID" : "15253", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4609, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4609", "Disp_Access_No" : "2019.006", "_AccNumSort1" : "", "Disp_Create_DT" : "2019", "_Disp_Start_Dat" : "2019", "_Disp_End_Date" : "2019", "Disp_Title" : "To a Flame", "Alt_Title" : "", "Obj_Title" : "<i>To a Flame</i>", "Series_Title" : "", "Disp_Maker_1" : "Anthony White", "Sort_Artist" : "White, Anthony", "Disp_Dimen" : "60 x 48 in. (152.4 x 121.92 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "Object", "Medium" : "PLA (plastic) on panel", "Support" : "", "Disp_Medium" : "PLA (plastic) on panel", "Info_Page_Comm" : "Seattle-based artist Anthony White makes his “paintings” with a small machine about the size and shape of an electric toothbrush. It feeds and heats strands of colored polylactic acid (PLA), a type of plastic, in a time-intensive application process the artist compares to using a tattoo gun. In <i>To a Flame</i>, White presents a layered commentary on how smart phones and social media saturate our lives and absorb our attention. White elevates an intimate but mundane scene of a man scrolling on his phone through the dramatic, high-contrast illumination of the figure, which recalls the European tradition of Baroque painting. With the inclusion of photo-editing icons placed over the image, the painting suggests that the viewer, too, is looking into a screen, underscoring the extent to which digital technologies mediate how we see one another and ourselves. ", "Dedication" : "Purchased with funds provided by Seattle Art Fair, 2019.006", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "Contemporary", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.006_Low-Res.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.006_Low-Res.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.006_Low-Res.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.006_Low-Res.jpg", "IsPrimary" : "1", "_SurrogateID" : "10003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }