{ "objects" : [ { "embark_ID" : 4614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4614", "Disp_Access_No" : "2019.008", "_AccNumSort1" : "", "Disp_Create_DT" : "2018", "_Disp_Start_Dat" : "2018", "_Disp_End_Date" : "2018", "Disp_Title" : "Untitled (Badlands)", "Alt_Title" : "", "Obj_Title" : "<i>Untitled (Badlands)</i>", "Series_Title" : "", "Disp_Maker_1" : "Juventino Aranda", "Sort_Artist" : "Aranda, Juventino", "Disp_Dimen" : "57 x 77 x 2 in. (144.78 x 195.58 x 5.08 cm)", "Disp_Height" : "57 in.", "Disp_Width" : "77 in.", "Dimen_Extent" : "", "Medium" : "Oil on wool Pendleton blanket", "Support" : "", "Disp_Medium" : "Oil on wool Pendleton blanket", "Info_Page_Comm" : "Juventino Aranda created this painting by applying oil stick and paint to a striped Badlands National Park blanket from Pendleton Woolen Mills. The resulting fields of color evoke the paintings of Abstract Expressionist Mark Rothko (1903–1970) but are interrupted by a dripping mass of black paint that references the extraction of oil and other natural resources on national lands. Pendleton has produced blankets based on Native American designs since the late 1800s. The blankets are often given as gifts and used in ceremonies in tribal communities, but in recent years they have also become expensive commodities trendy among consumers who have little knowledge of the designs’ origins or meanings. After touring one of Pendleton’s factories near his hometown of Walla Walla, Washington, Aranda began making works using the company’s discarded products, highlighting the ongoing appropriation and exploitation of Indigenous culture in American society. ", "Dedication" : "Gift of Todd B. Rosin & R. Todd Armstrong, 2019.008", "Copyright_Type" : "", "Disp_Obj_Type" : "Mixed media", "Creation_Place2" : "", "Department" : "Contemporary", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.008_Low-Res.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.008_Low-Res.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.008_Low-Res.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.008_Low-Res.jpg", "IsPrimary" : "1", "_SurrogateID" : "10098", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4605, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4605", "Disp_Access_No" : "2019.002", "_AccNumSort1" : "", "Disp_Create_DT" : "2017-2018", "_Disp_Start_Dat" : "2017", "_Disp_End_Date" : "2018", "Disp_Title" : "If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour", "Alt_Title" : "", "Obj_Title" : "<i>If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour</i>", "Series_Title" : "", "Disp_Maker_1" : "Rokni Haerizadeh", "Sort_Artist" : "Haerizadeh, Rokni", "Disp_Dimen" : "11 11/16 x 16 1/2 in. (29.72 x 41.91 cm)", "Disp_Height" : "11 11/16 in.", "Disp_Width" : "16 1/2 in.", "Dimen_Extent" : "", "Medium" : "Gesso, watercolor and ink on printed paper", "Support" : "", "Disp_Medium" : "Gesso, watercolor and ink on printed paper", "Info_Page_Comm" : "In this work on paper, Rokni Haerizadeh transforms an iconic British Royal wedding portrait of Prince Harry and Meghan Markle into an outlandish scene. By overpainting the original image with animal figures, distorted features, and other surreal details, the artist critiques mass consumption of such coded displays of soft power and points to the ugly truths they conceal. This work is part of a larger series of the same title that includes modified images of protests, military actions, and political summits. Together, they reflect the process of mutation that oft-replicated images and narratives undergo—much like memes, mentioned in the title—as they circulate through our collective consciousness. ", "Dedication" : "Purchased with funds provided by the Contemporary Council, 2019.002", "Copyright_Type" : "", "Disp_Obj_Type" : "Mixed media", "Creation_Place2" : "", "Department" : "Contemporary", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.002_Low-Res.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.002_Low-Res.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.002_Low-Res.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.002_Low-Res.jpg", "IsPrimary" : "1", "_SurrogateID" : "11318", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4610, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4610", "Disp_Access_No" : "2019.007", "_AccNumSort1" : "", "Disp_Create_DT" : "2019", "_Disp_Start_Dat" : "2019", "_Disp_End_Date" : "2019", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "<i>Untitled</i>", "Series_Title" : "", "Disp_Maker_1" : "Ko Kirk Yamahira", "Sort_Artist" : "Yamahira, Ko Kirk", "Disp_Dimen" : "46 x 90 in. (116.84 x 228.6 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "90 in.", "Dimen_Extent" : "object", "Medium" : "Acrylic and graphite on partially unwoven canvas with wood", "Support" : "", "Disp_Medium" : "Acrylic and graphite on partially unwoven canvas with wood", "Info_Page_Comm" : "Seattle-based artist Ko Kirk Yamahira meticulously removes individual threads from the weave of his canvases, deconstructing his paintings and turning surface into form. In this work, the artist has created two detached segments linked with loose threads by pulling out the vertical strands in the middle section of the canvas and then stretching the intact ends around separate wooden frames. Yamahira does not prescribe a fixed orientation for his pieces, making the arrangement presented here but one of many possible configurations. ", "Dedication" : "Purchased with funds partially provided by Seattle Art Fair, 2019.007", "Copyright_Type" : "", "Disp_Obj_Type" : "Mixed media", "Creation_Place2" : "", "Department" : "Contemporary", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.007_Fang_Low-Res.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.007_Fang_Low-Res.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.007_Fang_Low-Res.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.007_Fang_Low-Res.jpg", "IsPrimary" : "1", "_SurrogateID" : "15261", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }