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This painting was displayed as an underdrawing only, in the solo exhibition at the Frye in 2003; the artist was then commissioned by the Frye in 2004 to complete the painting in color, which he finished in 2007. The work is the final painting in a series of 5: The Five Capital Executions in China. The series is a combination of history painting, cultural critique and meditation on cruelty and compassion. The painting is in the style of a Thangka or scroll/banner painting used to guide a contemplative experience. 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