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Portfolios%20%3D%20%223614%22%20and%20Disp_Obj_Type%20%3D%20%22Mixed%20media%22
Mixed media
Untitled (Badlands)
Juventino Aranda, (Walla Walla, WA, 1984 – )
Aranda, Juventino
American
1984
Male
Artist
57 x 77 x 2 in. (144.78 x 195.58 x 5.08 cm)
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Stretcher
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Frame
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Crate-outer of wood
Oil on wool Pendleton blanket
Oil on wool Pendleton blanket
2018
2018
2018
Mixed media
Juventino Aranda created this painting by applying oil stick and paint to a striped Badlands National Park blanket from Pendleton Woolen Mills. The resulting fields of color evoke the paintings of Abstract Expressionist Mark Rothko (1903–1970) but are interrupted by a dripping mass of black paint that references the extraction of oil and other natural resources on national lands.
Pendleton has produced blankets based on Native American designs since the late 1800s. The blankets are often given as gifts and used in ceremonies in tribal communities, but in recent years they have also become expensive commodities trendy among consumers who have little knowledge of the designs’ origins or meanings. After touring one of Pendleton’s factories near his hometown of Walla Walla, Washington, Aranda began making works using the company’s discarded products, highlighting the ongoing appropriation and exploitation of Indigenous culture in American society.
2019.008
item
Frye Art Museum
10/7/2019
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http://127.0.0.1:5000/media/images/2019.008.JPG
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http://127.0.0.1:5000/media/images/2019_008_CR.pdf
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http://127.0.0.1:5000/media/images/Aranda_Deed of Gift_SIGNED.pdf
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http://127.0.0.1:5000/media/images/Aranda_Board Resolution_signed.pdf
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http://127.0.0.1:5000/media/images/2019.008_Low-Res.jpg
Mixed media
Untitled
Ko Kirk Yamahira, (Los Angeles. CA, )
Yamahira, Ko Kirk
American
Male
Artist
46 x 90 in. (116.84 x 228.6 cm)
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Object
Acrylic and graphite on partially unwoven canvas with wood
Acrylic and graphite on partially unwoven canvas with wood
2019
2019
2019
Mixed media
Seattle-based artist Ko Kirk Yamahira meticulously removes individual threads from the weave of his canvases, deconstructing his paintings and turning surface into form. In this work, the artist has created two detached segments linked with loose threads by pulling out the vertical strands in the middle section of the canvas and then stretching the intact ends around separate wooden frames. Yamahira does not prescribe a fixed orientation for his pieces, making the arrangement presented here but one of many possible configurations.
2019.007
item
Frye Art Museum
8/13/2019
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http://127.0.0.1:5000/media/images/2019.007_Fang.jpg
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http://127.0.0.1:5000/media/images/Ko Kirk Yamahira_Installation and Packing notes_220124.pdf
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http://127.0.0.1:5000/media/images/2019.007_Fang.tif
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http://127.0.0.1:5000/media/images/2019.007_Fang_Low-Res.jpg
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http://127.0.0.1:5000/media/images/Yamahira_Condition report_190917.pdf
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http://127.0.0.1:5000/media/images/Yamahira_Purchase Check.pdf
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http://127.0.0.1:5000/media/images/Yamahira_Invoice.pdf
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http://127.0.0.1:5000/media/images/Yamahira_FAM Acquisitions from the Seattle Art Fair for Board Approval - UPDATE 20190802.pdf