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Portfolios%20%3D%20%223439%22%20and%20Disp_Obj_Type%20%3D%20%22Mixed%20media%22
Mixed media
Black Face with Wide Chest
Tschabalala Self, (Harlem, NY, 1990 – )
Self, Tschabalala
American
1990
Female
Artist
36 x 28 in. (91.44 x 71.12 cm)
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Frame
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Sheet
Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print
Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print
2021
2021
2021
Mixed media
Verso, top, Gallery inventory label(?)
2023.002.02
item
Frye Art Museum
1/12/2023
00/00/00
http://127.0.0.1:5000/media/images/2023.002.02_Burke_Low-Res.jpg
00/00/00
http://127.0.0.1:5000/media/images/Resolution 11.29.22-1 Tschabalala Self Artwork Gift Docusigned by J. Potter.pdf
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http://127.0.0.1:5000/media/images/Khouri_Deed of Gift_countersigned_020823.pdf
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http://127.0.0.1:5000/media/images/2023.002.02_Burke_Framed.tif
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http://127.0.0.1:5000/media/images/2023.002.02_Burke.tif
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http://127.0.0.1:5000/media/images/2023.002.02 label on verso.JPG
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http://127.0.0.1:5000/media/images/2023.002.02_Burke.jpg
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http://127.0.0.1:5000/media/images/Self_2023_002_02_CR.pdf
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http://127.0.0.1:5000/media/images/Non-Exclusive License_Self_SIGNED .pdf
Mixed media
Black Face Red Bone with Black Bob
Tschabalala Self, (Harlem, NY, 1990 – )
Self, Tschabalala
American
1990
Female
Artist
36 x 28 in. (91.44 x 71.12 cm)
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Frame
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Sheet
Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print
Colored pencil, acrylic paint, gouache, charcoal, graphite on archival inkjet print
2021
2021
2021
Mixed media
Verso, top, Gallery inventory label (?)
2023.002.01
item
Frye Art Museum
1/12/2023
00/00/00
http://127.0.0.1:5000/media/images/Resolution 11.29.22-1 Tschabalala Self Artwork Gift Docusigned by J. Potter.pdf
00/00/00
http://127.0.0.1:5000/media/images/Khouri_Deed of Gift_countersigned_020823.pdf
00/00/00
http://127.0.0.1:5000/media/images/2023.002.01_Burke_Low-Res.jpg
00/00/00
http://127.0.0.1:5000/media/images/2023.002.01_Burke_Framed.tif
00/00/00
http://127.0.0.1:5000/media/images/2023.002.01_Burke.tif
00/00/00
http://127.0.0.1:5000/media/images/2023.002.01_Burke.jpg
00/00/00
http://127.0.0.1:5000/media/images/2023.002.01 label on verso.JPG
00/00/00
http://127.0.0.1:5000/media/images/Self_2023_002_01_CR.pdf
00/00/00
http://127.0.0.1:5000/media/images/Non-Exclusive License_Self_SIGNED .pdf
Mixed media
Ground of Ground
Harry Gould Harvey IV, (Fall River, MA, 1991 – )
Harvey IV, Harry Gould
American
1991
Male
Artist
11 x 8 1/2 in. (27.94 x 21.59 cm)
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Frame
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Sheet
Black walnut from the Delano Sawmill, white oak from Prudence Island, MDF, colored pencil, charcoal, gouache, and pigments of goldenrod, Aronia Viking chokecherry, and rose petals
Black walnut from the Delano Sawmill, white oak from Prudence Island, MDF, colored pencil, charcoal, gouache, and pigments of goldenrod, Aronia Viking chokecherry, and rose petals
2022
2022
2022
Mixed media
2022.012
item
Frye Art Museum
10/17/2022
00/00/00
http://127.0.0.1:5000/media/images/HGHIV, Ground of Ground, 2022.jpg
00/00/00
http://127.0.0.1:5000/media/images/2022.012.jpg
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http://127.0.0.1:5000/media/images/Resolution 11.29.22-3 Harry Gould Harvey IV Artwork Docusigned by J Potter.pdf
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http://127.0.0.1:5000/media/images/Harvey invoice_coded.pdf
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http://127.0.0.1:5000/media/images/2022.012_Fang.jpg
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http://127.0.0.1:5000/media/images/2022.012_Fang.tif
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http://127.0.0.1:5000/media/images/2022.012_Fang_Low-Res.jpg
Mixed media
Disaster Kitchen
Molly Zuckerman-Hartung, (Los Gatos, CA, 1975 – )
Zuckerman-Hartung, Molly
American
1975
Female
Artist
17 x 14 in. (43.18 x 35.56 cm)
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Stretcher
Oil, collage, plastic garbage bag, camouflage pants
Oil, collage, plastic garbage bag, camouflage pants
2008-2011
2008
2011
Mixed media
2022.011
item
Frye Art Museum
11/17/2022
00/00/00
http://127.0.0.1:5000/media/images/2022.011_Fang.tif
00/00/00
http://127.0.0.1:5000/media/images/2022.011_Fang.jpg
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http://127.0.0.1:5000/media/images/Zuckerman-Hartung Resolution 11.29.22-2 Docusigned by J Potter.pdf
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http://127.0.0.1:5000/media/images/Rodan_Deed_of_Gift_for_Disaster_Kitchen_completed.pdf
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http://127.0.0.1:5000/media/images/2022.011_Fang_Low-Res.jpg
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http://127.0.0.1:5000/media/images/Appraisal_Zuckerman Hartung_Frye.pdf
Mixed media
Untitled (Badlands)
Juventino Aranda, (Walla Walla, WA, 1984 – )
Aranda, Juventino
American
1984
Male
Artist
57 x 77 x 2 in. (144.78 x 195.58 x 5.08 cm)
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Stretcher
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Frame
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Crate-outer of wood
Oil on wool Pendleton blanket
Oil on wool Pendleton blanket
2018
2018
2018
Mixed media
Juventino Aranda created this painting by applying oil stick and paint to a striped Badlands National Park blanket from Pendleton Woolen Mills. The resulting fields of color evoke the paintings of Abstract Expressionist Mark Rothko (1903–1970) but are interrupted by a dripping mass of black paint that references the extraction of oil and other natural resources on national lands.
Pendleton has produced blankets based on Native American designs since the late 1800s. The blankets are often given as gifts and used in ceremonies in tribal communities, but in recent years they have also become expensive commodities trendy among consumers who have little knowledge of the designs’ origins or meanings. After touring one of Pendleton’s factories near his hometown of Walla Walla, Washington, Aranda began making works using the company’s discarded products, highlighting the ongoing appropriation and exploitation of Indigenous culture in American society.
2019.008
item
Frye Art Museum
10/7/2019
00/00/00
http://127.0.0.1:5000/media/images/2019.008.JPG
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http://127.0.0.1:5000/media/images/2019_008_CR.pdf
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http://127.0.0.1:5000/media/images/Aranda_Deed of Gift_SIGNED.pdf
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http://127.0.0.1:5000/media/images/Aranda_Board Resolution_signed.pdf
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http://127.0.0.1:5000/media/images/2019.008_Low-Res.jpg
Mixed media
Untitled
Ko Kirk Yamahira, (Los Angeles. CA, )
Yamahira, Ko Kirk
American
Male
Artist
46 x 90 in. (116.84 x 228.6 cm)
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Object
Acrylic and graphite on partially unwoven canvas with wood
Acrylic and graphite on partially unwoven canvas with wood
2019
2019
2019
Mixed media
Seattle-based artist Ko Kirk Yamahira meticulously removes individual threads from the weave of his canvases, deconstructing his paintings and turning surface into form. In this work, the artist has created two detached segments linked with loose threads by pulling out the vertical strands in the middle section of the canvas and then stretching the intact ends around separate wooden frames. Yamahira does not prescribe a fixed orientation for his pieces, making the arrangement presented here but one of many possible configurations.
2019.007
item
Frye Art Museum
8/13/2019
00/00/00
http://127.0.0.1:5000/media/images/2019.007_Fang.jpg
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http://127.0.0.1:5000/media/images/Ko Kirk Yamahira_Installation and Packing notes_220124.pdf
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http://127.0.0.1:5000/media/images/2019.007_Fang.tif
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http://127.0.0.1:5000/media/images/2019.007_Fang_Low-Res.jpg
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http://127.0.0.1:5000/media/images/Yamahira_Condition report_190917.pdf
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http://127.0.0.1:5000/media/images/Yamahira_Purchase Check.pdf
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http://127.0.0.1:5000/media/images/Yamahira_Invoice.pdf
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http://127.0.0.1:5000/media/images/Yamahira_FAM Acquisitions from the Seattle Art Fair for Board Approval - UPDATE 20190802.pdf
Mixed media
Snowflake Drawing #5 (Double Lotus Pod)
Jeffry Mitchell, (Seattle, 1958 – )
Mitchell, Jeffry
American
1958
Male
Artist
36 x 24 in. (91.44 x 60.96 cm)
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Sheet
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Frame
Graphite, ink, carbon transfer, and watercolor on paper
Graphite, ink, carbon transfer, and watercolor on paper
2018
2018
2018
Mixed media
2019.004
item
Frye Art Museum
8/13/2019
00/00/00
http://127.0.0.1:5000/media/images/2019.004_Fang.tif
00/00/00
http://127.0.0.1:5000/media/images/2019.004_Fang_Low-Res.jpg
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http://127.0.0.1:5000/media/images/Mitchell_Purchase Check.pdf
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http://127.0.0.1:5000/media/images/Mitchell_Invoice.pdf
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http://127.0.0.1:5000/media/images/2019.004_Fang.jpg
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http://127.0.0.1:5000/media/images/2019.004.jpg
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http://127.0.0.1:5000/media/images/2019.004_Low-Res.jpg
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http://127.0.0.1:5000/media/images/Mitchell_FAM Acquisitions from the Seattle Art Fair for Board Approval - UPDATE 20190802.pdf
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http://127.0.0.1:5000/media/images/Mitchell_ Condition report.pdf
Mixed media
If Marco Polo Brought the Pasta Meme to Europe from China, He didn't Need to be a Pasta Chef but all he Had to do was to Disperse the Meme in the Environment and Other Humans Infected by it, Would Express it in their Behaviour
Rokni Haerizadeh, (Tehran, Iran, 1978 - )
Haerizadeh, Rokni
Iranian
1978
Male
Artist
11 11/16 x 16 1/2 in. (29.72 x 41.91 cm)
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Sheet
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Frame
Gesso, watercolor and ink on printed paper
Gesso, watercolor and ink on printed paper
2017-2018
2017
2018
Mixed media
In this work on paper, Rokni Haerizadeh transforms an iconic British Royal wedding portrait of Prince Harry and Meghan Markle into an outlandish scene. By overpainting the original image with animal figures, distorted features, and other surreal details, the artist critiques mass consumption of such coded displays of soft power and points to the ugly truths they conceal. This work is part of a larger series of the same title that includes modified images of protests, military actions, and political summits. Together, they reflect the process of mutation that oft-replicated images and narratives undergo—much like memes, mentioned in the title—as they circulate through our collective consciousness.
2019.002
item
Frye Art Museum
8/8/2019
00/00/00
http://127.0.0.1:5000/media/images/2019.002.tif
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http://127.0.0.1:5000/media/images/2019.002.jpg
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http://127.0.0.1:5000/media/images/2019_002_CR.pdf
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http://127.0.0.1:5000/media/images/2019.002_Low-Res.jpg
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http://127.0.0.1:5000/media/images/RH_Board Resolution.pdf
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http://127.0.0.1:5000/media/images/RH_Purchase invoice.pdf
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http://127.0.0.1:5000/media/images/Import AWB and Customs docs.pdf
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http://127.0.0.1:5000/media/images/Com. Invoice - Frye Museum RH & RRH.pdf