The Frye Art Museum continues to strategically build its collection through purchases and gifts, both deepening existing areas of strength and diversifying holdings to reflect the Museum’s expansive curatorial program and Seattle’s globalized present.
Acquisitions of the last five years demonstrate the Museum’s commitment to growing and contextualizing its distinctive historical collections of late nineteenth- and twentieth-century European and American art while broadening its holdings of contemporary works to embrace previously underrepresented identities, perspectives, and forms of expression. To some extent, acquisitions mirror the Museum’s exhibition history, creating a material record of the institution’s engagement with local, national, and international artists and commemorating the special audience connection formed through temporary presentations. Contemporary artworks chosen for the collection often respond to or complicate the narratives around mediums and genres traditionally associated with the Frye, like painting, landscape, and portraiture.
ESTAR(SER), with special acknowledgment to the Committee on Vitreous Phenomena (Justin Ginsberg and Anna Riley)
Glass, with custom made iron and wood stand
n.d.
Fritz Hickmann
Oil on canvas mounted to board
1855
Liz Magor
Polymerized gypsum, cans of beer
2001
Jeffry Mitchell
Earthenware with luster glaze
2005
Tracy and the Plastics
Performance and video, sound, color
2006/2014
Joseph Park
Oil on panel
2007
Jennie C. Jones
Earbuds and acrylic
2008
Jennie C. Jones
Audio tape from the 1992 Kenny-G recording “Breathless”, under plexiglass
2008
Jessica Jackson Hutchins
Glazed ceramic
2008
Jeffry Mitchell
Glazed earthenware
2008
Molly Zuckerman-Hartung
Oil, collage, plastic garbage bag, camouflage pants
2008-2011