Loosely defined as the art of today or the art of our lifetime, the term “contemporary art” is usually used more specifically to describe artworks created since the 1980s or 1990s. For collection purposes, the Frye Art Museum currently delineates the scope as 1990 to the present.
In the more general sense, the Frye has collected and exhibited contemporary—or contemporaneous—art since its opening in 1952. This commitment to the art and culture of the present was catalyzed by Museum founders Charles and Emma Frye, who amassed a collection of paintings made within their own lifetimes and often purchased works directly from living artists. Over the last seven decades, directors of the Museum have each brought their own interests and interpretations to bear on the Frye’s engagement with contemporary art and thereby shaped a distinctive collection.
Prior to the tenure of Elsa “Midge” Bowman (Director, 2004–09), and often counter to dominant trends in art of the time, the Frye’s leadership focused exclusively on exhibiting and collecting representational art, citing Charles and Emma Frye’s preferences for figurative and landscape painting. Under Bowman’s direction, the exhibitions program at the Frye expanded into areas like video art and performance that questioned and upended the definition of representational art. In 2008, the Museum’s mission was revised to embrace art in its myriad forms. The Frye’s contemporary art collection has grown significantly since that time, reflecting the diversity of the institution’s engagement with local, national, and international artists working today.
Jeffry Mitchell
Glazed earthenware
2008
Jeffry Mitchell
Earthenware with luster glaze
2005
Margie Livingston
Acrylic with steel wall mount/shelf
2011
Ellen Lesperance
Gouache and graphite on tea-stained paper
2015
Jessica Jackson Hutchins
Glazed ceramic
2008
Marita Dingus
Ceramic and mixed media
2023
Hanako O’Leary
Clay
2020
Gretchen Frances Bennett
Color pencil on paper
2023
Dawn Cerny
Wood, plaster tape, textiles, found ephemera from studio of Nancy Shaver, Apoxie Sculpt, paint
2021
Dawn Cerny
Wood, drawings, textiles, clipboard, Apoxie Sculpt, polymer clay, paint, found ephemera from studio of Nancy Shaver
2021
Tracy and the Plastics
Performance and video, sound, color
2006/2014